Wednesday, January 25, 2017

Remembering MTM, Feminist Icon

By Steve Evans

A fond remembrance of Mary Tyler Moore, whose eponymous 1970s television show was an inestimable influence on feminism and advancing respect in this country for professional women. To the best of my knowledge, she was the first single career woman portrayed on television, working in a world of arrogant and often stupid men. One of the co-creators of her show, James L. Brooks, would go on to make Oscar-winning films, including Terms of Endearment, Broadcast News and As Good As it Gets, all featuring strong, progressive women characters.

But it was Mary who anchored the show that carried her name for eight years. She was capable and sensible, smart and at least as sweet as the charming theme song for the show. Even as a kid I felt vaguely protective of Mary -- that was part of her appeal -- but I knew then as now that she needed no help from me or any other man or boy. She made it, after all.

Mary Tyler Moore won 9 Emmys and was Oscar nominated. She also holds the distinction of appearing as the love interest in the last picture Elvis made, although I cannot in good conscience recommend Change of Habit (1969) as anything more than an odd curio of its time.


RIP Mary. Te adoro.


Tuesday, January 24, 2017

Bob Roberts in 2020

By Steve Evans

Eerily prescient, this political satire from 25 years ago.

Bob Roberts is a mockumentary starring, written and directed by Tim Robbins. It was his directing debut and history shows he has seldom surpassed that freshman effort. Only Dead Man Walking comes close.

Bob Roberts is a hard right-winger running for the US Senate with a beaming stage smile. He's wrapped in the flag, conceals a dark temper, and has a sociopath's instinct for exploiting the easily persuaded. With $5,000 Dolce & Gabanna suits and silk ties to cloak him in a veneer of success, Roberts plays acoustic guitar at his rallies, singing ersatz folk songs set to the lyrics of a fascist. His scam is performance art in pursuit of unchecked political power. A journalist for a radical publication pursues Roberts across the campaign trail, ever-so-close to linking the candidate with all manner of corruption, including connections to CIA drug runners in banana republics. (Amusing side note for my fellow film obsessives: Giancarlo Esposito plays the crusading journalist, and 20 years later he would portray the murderous drug baron Gus Fring in Breaking Bad.)

Look fast for familiar faces in small roles peppered throughout this merciless and hysterically funny film that now terrifies in light of contemporary events. Bob Roberts anticipates the rise of Donald Trump and the mainstreaming of white nationalist hatreds. What was once a satire has become a horror film.

Wednesday, January 18, 2017

Umbrellas over La La Land

By Steve Evans

If you've fallen in love with La La Land -- it's a sure bet for a Best Picture Oscar nomination this year -- you might want to check out one of its inspirations.

Jacque Demy's The Umbrellas of Cherbourg (1964) is a hopelessly romantic musical with a score by the incomparable Michel Legrand. The lovers sing virtually all of the dialog to each other. Catherine Deneuve is gorgeous. The film was shot in three-strip Technicolor and restored to a 2K resolution (better than Hi-Def) in 2013. It's absolutely eye-popping. For film obssesives like me, The Criterion Collection is finally releasing this wonderful movie in a stand-alone edition on April 11. Previously it was only available in a box of Demy films with a $100 price tag.

You can see and hear the influence on La La Land in the dreamy cinematography, the pensive and often melancholy tone of its songs. Umbrellas of Cherbourg won the Cannes 1964 Palme d'Or. This is a great motion picture.

Friday, January 13, 2017

Luck be a Lady To-nite

By Steve Evans

Text this afternoon from a fellow film-obsessive: "Dude! I just got The Lady from Shanghai on DVD for a fiver. Not a bad deal." Steve (who is never too busy for a smart-ass response): "Dude. You can get a night with the lady herself for a deuce and fifty cent. She's from Shanghai, for crissakes." (((Anyway, it's a great Orson Welles' picture from 1947. Woody Allen paid hommage in Manhattan Murder Mystery (1993). This rambling, esoteric FBF brought to you by Cinematic Cteve.)))